Recently acquired by the Foundation, Laura Splan’s Squint is a contemporary tapestry that bridges our Digital and Op Art collections. Squint is a work of optical art, in the sense that the artist’s eye behaviors are ...
“The First Robot Artist”: On the Life and Work of Harold Cohen and His Artificially Intelligent Painting Program Aaron Saturday August 6, 2016, 2-4 p.m. Art House, 231 Delgado Street, Santa Fe, NM ...
Finding Inspiration in Technology Students from the Cultural Technology program at New Mexico Highlands University (NMHU) recently visited our new Mouse in the Machine exhibition at Art House to find inspiration for their work and to ...
Richard Lowenberg, Director of the 1st-Mile Institute and the organizer of the New (+Old) Media: Restoration, Preservation, Archiving & Access workshops at the 2016 CURRENTS International New Media Festival in Santa Fe, ...
Christiane Paul received the $40,000 award ($30,000 award plus the opportunity for a $10,000 project grant) for an established arts writer in the U.S. who has made significant contributions to writing about digital art. Christiane ...
The Foundation is excited to support the 2016 CURRENTS New Media Festival in Santa Fe, New Mexico. CURRENTS brings together the work of established and emerging new media artists from New Mexico, ...
Nora Khan received the $20,000 award ($15,000 award plus the opportunity for a $5,000 project grant) for an emerging arts writer in the U.S. who demonstrates great promise in writing about digital art. Nora ...
Rebecca Long, curator of Doctrine and Devotion: Art of the Religious Orders in the Spanish Andes at the Art Institute of Chicago, talks with the Thoma Foundation about the artworks that inspired this ...
Mouse in the Machine: Nature in the Age of Digital Art features 15 digital and software-based artworks by 12 artists from the Thoma art collection to examine the intersection of technology and nature. Using ...
When the Foundation acquired Nam June Paik’s TV Fish earlier this year, one of our first questions was “Who’s going to feed the fish?” Right away, however, it became clear that the piece is ...
